The search for authenticity in wine

“By 2004 wine had become a crucial element in a new kind of personhood. As the wine-drinking public—and everyone else in the deindustrialized US and Europe—became increasingly dependent on precarious careers, and more removed from the production of consumer goods, wine was conscripted to be more than a source of culinary pleasure. Consumers looked to wine and its deep cultural roots for a means to ground their shaky position in a global market society. In this context, the big Napa classics, which brought California alongside Bordeaux, were just as insensitive to a new desire for sincere and personal products as the mass produced low end wines were incapable of satisfying the new social responsibilities that were placed on wine. In this context a new crop of wine writers found an audience by calling for the development of wines that were complex rather than uniform, and by advocating a form of winemaking that could develop a deeper connection between the taster and the story of a wine’s origin.”
from…
Real Taste: The search for authenticity in wine
David Michalski (2013)
Boom: A Journal of California,
Vol. 3, No. 1, pp. 63-69
University of California Press
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